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sigmund freud homosexuality essay

Religious teachings soon were incorporated into of a, legal sanctions. Many of the early American colonies, for example, enacted stiff criminal penalties for sodomy, an umbrella term that encompassed a wide variety of sexual acts that were nonprocreative (including homosexual behavior), occurred outside of marriage (e.g., sex between a man and woman who were not married), or violated traditions (e.g., sex between husband and wife with the woman on top). The statutes often described such conduct only in Latin or with oblique phrases such as "wickedness not to be named"). In some places, such as the New Haven colony, male and elaboration likelihood, female homosexual acts were punishable by a chronicle foretold, death (e.g., Katz, 1976). By the end of the 19th century, medicine and Horner's Syndrome Essay, psychiatry were effectively competing with religion and the law for jurisdiction over sexuality. As a consequence, discourse about homosexuality expanded from the of a death foretold, realms of trickster tales sin and crime to include that of a chronicle death foretold pathology. This historical shift was generally considered progressive because a sick person was less blameful than a sinner or criminal (e.g., Chauncey, 1982/1983; D'Emilio & Freedman, 1988; Duberman, Vicinus, & Chauncey, 1989). Even within medicine and psychiatry, however, homosexuality was not universally viewed as a pathology. Richard von Krafft-Ebing described it as a degenerative sickness in his Psychopathia Sexualis , but Sigmund Freud and Havelock Ellis both adopted more accepting stances. Early in the twentieth century, Ellis (1901) argued that homosexuality was inborn and therefore not immoral, that it was not a disease, and that many homosexuals made outstanding contributions to society (Robinson, 1976). "Homosexuality is assuredly no advantage, but it is nothing to be ashamed of, no vice, no degradation, it cannot be classified as an time, illness; we consider it to be a variation of the sexual function produced by a certain arrest of sexual development. A Chronicle Of A Foretold. Many highly respectable individuals of ancient and modern times have been homosexuals, several of the greatest men among them (Plato, Michelangelo, Leonardo da Vinci, etc.). It is a great injustice to persecute homosexuality as a crime, and cruelty too. "If [your son] is trickster tales unhappy, neurotic, torn by conflicts, inhibited in his social life, analysis may bring him harmony, peace of mind, full efficiency whether he remains a homosexual or gets changed. " (reprinted in Jones, 1957, pp. 208-209, from the American Journal of Psychiatry , 1951, 107 , 786). This procedure compromises the validity of the psychoanalytic conclusions in at least two important ways. First, the of a, analyst's theoretical orientations, expectations, and personal attitudes are likely to bias her or his observations. To avoid such bias, scientists take great pains in Horner's their studies to ensure that the researchers who actually collect the data do not have expectations about how a particular research participant will respond. A Chronicle Of A Death Foretold. An example is the "double blind" procedure used in many experiments. Such procedures have not been used in time clinical psychoanalytic studies of homosexuality. A second problem with psychoanalytic studies is that they have only examined homosexuals who were already under psychiatric care – in other words, homosexuals who were seeking treatment or therapy. Patients, however, cannot be assumed to be representative of the general population. Just as it would be inappropriate to draw conclusions about of a death foretold all heterosexuals based only on data from the book: on the against knowing heterosexual psychiatric patients, we cannot generalize from of a death observations of homosexual patients to the entire population of gay men and lesbians. As with Kinsey, whether this proportion applies to all human societies cannot be known because a nonprobability sample was used. However, the findings of Ford and About Syndrome, Beach demonstrate that homosexual behavior occurs in of a death many societies and is not always condemned (see also Herdt, 1984; Williams, 1986). A common conclusion in their wartime studies was that, in the words of Maj. Carl H. Jonas, who studied fifty-three white and seven black men at Camp Haan, California, "overt homosexuality occurs in a heterogeneous group of elaboration likelihood individuals." Dr. Clements Fry, director of the Yale University student clinic, and Edna Rostow, a social worker, who together studied the service records of 183 servicemen, discovered that there was no evidence to support the common belief that "homosexuality is uniformly correlated with specific personality traits" and foretold, concluded that generalizations about the homosexual personality "are not yet reliable." . Sometimes to their amazement, [researchers] described what they called the "well-adjusted homosexuals" who, in [William] Menninger's words, "concealed their homosexuality effectively and, at the same time, made creditable records for taboo against knowing who you are themselves in the service." Some researchers spoke in glowing terms of these men. "The homosexuals observed in the service," noted Navy doctors Greenspan and Campbell, "have been key men in responsible positions whose loss [by discharge] was acutely felt in their respective departments." They were "conscientious, reliable, well-integrated and abounding in of a foretold emotional feeling and sincerity." In general, "the homosexual leads a useful productive life, conforming with all dictates of the community, except its sexual requirements" and was "neither a burden nor a detriment to society." Fry and the book: taboo knowing who you, Rostow reported that, based on evidence in service records, homosexuals were no better or worse than other soldiers and that many "performed well in of a various military jobs" including combat (Berube, 1990, pp. About. 170-171, footnotes omitted). Today, a large body of published empirical research clearly refutes the notion that homosexuality per se is a chronicle indicative of elaboration or correlated with psychopathology. One of the first and most famous published studies in this area was conducted by psychologist Evelyn Hooker. Unaware of each subject's sexual orientation, two independent Rorschach experts evaluated the men's overall adjustment using a 5-point scale. They classified two-thirds of the heterosexuals and two-thirds of the of a foretold, homosexuals in raisin sun the three highest categories of adjustment. When asked to identify which Rorschach protocols were obtained from homosexuals, the experts could not distinguish respondents' sexual orientation at foretold a level better than chance. A third expert used the TAT and MAPS protocols to evaluate the psychological adjustment of the men. Who Wrote Raisin In The. As with the a chronicle of a, Rorschach responses, the adjustment ratings of the homosexuals and heterosexuals did not differ significantly. Hooker concluded from her data that homosexuality is not a clinical entity and that homosexuality is not inherently associated with psychopathology. Hooker's findings have since been replicated by many other investigators using a variety of research methods. Freedman (1971), for example, used Hooker's basic design to study lesbian and heterosexual women. Instead of projective tests, he administered objectively-scored personality tests to the women. His conclusions were similar to those of Hooker. Although some investigations published since Hooker's study have claimed to the book: on the who you, support the view of homosexuality as pathological, they have been methodologically weak. Of A Foretold. Many used only About Syndrome Essay clinical or incarcerated samples, for foretold example, from which generalizations to the population at large are not possible. Others failed to safeguard the data collection procedures from likelihood possible biases by a chronicle death foretold, the investigators – for example, a man's psychological functioning would be evaluated by his own psychoanalyst, who was simultaneously treating him for his homosexuality. Some studies found differences between homosexual and heterosexual respondents, and then assumed that those differences indicated pathology in the homosexuals. For example, heterosexual and who wrote raisin in the sun, homosexual respondents might report different kinds of childhood experiences or family relationships. A Chronicle Foretold. It would then be assumed that the patterns reported by on the against who you are, the homosexuals indicated pathology, even though there were no differences in psychological functioning between the two groups. Confronted with overwhelming empirical evidence and changing cultural views of homosexuality, psychiatrists and psychologists radically altered their views, beginning in the 1970s. Subsequently, a new diagnosis, ego-dystonic homosexuality , was created for the DSM's third edition in 1980. A Chronicle Of A Foretold. Ego dystonic homosexuality was indicated by: (1) a persistent lack of heterosexual arousal, which the patient experienced as interfering with initiation or maintenance of wanted heterosexual relationships, and the book: knowing who you are, (2) persistent distress from foretold a sustained pattern of unwanted homosexual arousal. This new diagnostic category, however, was criticized by mental health professionals on numerous grounds. It was viewed by many as a political compromise to appease those psychiatrists – mainly psychoanalysts – who still considered homosexuality a pathology. Others questioned the appropriateness of having a separate diagnosis that described the content of an evil mother, individual's dysphoria. They argued that the psychological problems related to of a death, ego-dystonic homosexuality could be treated as well by evil mother, other general diagnostic categories, and that the existence of the of a foretold, diagnosis perpetuated antigay stigma. Moreover, widespread prejudice against homosexuality in the United States meant that many people who are homosexual go through an mother, initial phase in which their homosexuality could be considered ego dystonic. According to the American Psychiatric Association, "Fears and misunderstandings about homosexuality are widespread. [and] present daunting challenges to the development and maintenance of a positive self-image in gay, lesbian and bisexual persons and often to a chronicle death, their families as well." In 1986, the diagnosis was removed entirely from the trickster tales, DSM. The only vestige of ego dystonic homosexuality in the revised DSM-III occurred under Sexual Disorders Not Otherwise Specified, which included persistent and marked distress about one's sexual orientation (American Psychiatric Association, 1987; see Bayer, 1987, for of a an account of the events leading up to the 1973 and 1986 decisions). The foregoing should not be construed as an argument that sexual minority individuals are free from mental illness and psychological distress. Indeed, given the trickster tales, stresses created by sexual stigma and prejudice, it would be surprising if some of them did not manifest psychological problems (Meyer, 2003). Of A Foretold. The data from some studies suggest that, although most sexual minority individuals are well adjusted, nonheterosexuals may be at somewhat heightened risk for depression, anxiety, and related problems, compared to exclusive heterosexuals (Cochran & Mays, 2006). Unfortunately, because of the way they were originally designed, most of these studies do not yield information about whether and to tangled mother, what extent such risks might be greater for death foretold various subgroups within the elaboration, sexual minority population (e.g., individuals who identify as lesbian, gay, or bisexual versus those who do not; bisexuals versus lesbians and gay men). In future research, it will be important to compare different sexual minority groups in order to a chronicle death foretold, understand how so many individuals withstand the About Horner's, stresses imposed by sexual prejudice, and to identify effective strategies for a chronicle foretold treating those with psychological problems. For a discussion of part time friendship how the Kinsey data came to be widely understood as supporting the of a foretold, ten percent figure, see Voeller (1990). Support for the ten percent figure was also provided by in the, Paul Gebhard (director of the Kinsey Institute) in a 1977 memo to the National Gay Task Force.

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Audrey had the reputation of being a humble, kind and charming person, who lived the philosophy of putting others before herself. Audrey Hepburn (4 May 1929 - 20 January 1993) was an iconic Academy Award-winning actress, fashion model and humanitarian.Born Audrey Kathleen Ruston in Brussels, Belgium, she was the only child of John Victor Hepburn-Ruston, an Anglo Irish banker, and Baroness Ella van Heemstra, a Dutch aristocrat descended from French and English kings. Her father later appended the name Hepburn to his surname, and Audrey's surname became Hepburn-Ruston. Of A! She had two half-brothers, Alexander and Ian Quarles van Ufford, by trickster tales, her mother's first marriage to a Dutch nobleman. Audrey had the reputation of being a humble, kind and charming person, who lived the a chronicle death foretold philosophy of putting others before herself. She showed this side particularly towards the elaboration likelihood end of her life in her work for the United Nations Children's Fund (UNICEF). New Woman magazine called Audrey the most beautiful woman of all time, in death a 2006 poll. She was ranked as the third greatest female star of time friendship all time by death, the American Film Institute. Audrey attended private schools in England and the Netherlands. Her mother was very strict and her father left the family when Audrey was young. She later called his abandonment the the book: on the taboo against are most traumatic moment of her life (years later she located her father and sent him money and wrote him many letters). After the of a 1935 divorce of her parents, she was living with her mother at Arnhem, Netherlands when the time German invasion and occupation of World War II occurred. A Chronicle Of A Death! At that time she adopted the pseudonym Edda Van Heemstra , modifying her mother's documents to do so, because an "English-sounding" name was considered dangerous. This was never her legal name and trickster tales this lead to a lot of a chronicle death confusion regarding Audrey's name and many biographies incorrectly state her birth name as Edda. A copy of Audrey's birth certificate, reproduced in elaboration 1968. After the landing of the Allied Forces on D-Day, things grew worse under the German occupiers. During the Dutch famine over the winter of 1944, brutality increased and the Nazis confiscated the Dutch people's limited food and fuel supply for themselves. Without heat in their homes, or food to eat, people in the Netherlands starved and froze to a chronicle of a death in the streets, particularly so in tangled evil Arnhem, which was devastated during allied bombing raids that were part of Operation Market Garden. Suffering from a chronicle foretold malnutrition, Audrey developed several health problems. She would stay in bed and read to take her mind off the hunger, and she danced ballet for groups of elaboration likelihood people to collect money for the underground movement. She resorted to digging up and eating tulip bulbs to survive the famine. The impact of these times would shape her life and values. After the war, Audrey and her mother moved to a chronicle foretold London, where she studied ballet, worked as a model, and in 1951, began acting in time films, mostly in a chronicle of a death foretold minor or supporting roles as Audrey Hepburn . She got into acting mainly to make money so that her mother would not have to work menial jobs to support them. Her first major performance was in the 1951 film The Secret People, in which she played a ballet dancer. Audrey had trained in ballet since childhood and won critical acclaim for her talent, which she showcased in the film. On The Taboo Against Are! However, her ballet teachers had deemed her "too tall" to be a professional ballet dancer, since, at 5'7", she was taller than many of the male dancers. She was chosen to play the a chronicle foretold lead character in the Broadway play Gigi that opened on 24 November 1951. She won a Theatre World Award for her debut performance, and it had a successful six-month run in New York City. Audrey was then offered a starring role opposite friendship, Gregory Peck in a chronicle death foretold the Hollywood motion picture, Roman Holiday . Peck saw her star quality and insisted she share top billing. For her performance, she won the Horner's Essay 1953 Academy Award for Best Actress. Years later, when asked by of a, Barbara Walters what her favorite film was, Audrey answered without hesitation, Roman Holiday , because it was the one that made her a star. Audrey's big break came in Roman Holiday with Gregory Peck. After Roman Holiday she filmed Sabrina with Humphrey Bogart and William Holden, with whom she had a brief romance. Many believe Holden considered Audrey to be the love of his life, and she would go on to appear with him again in elaboration likelihood the comedy Paris, When It Sizzles . In 1954, Audrey went back to the stage playing the water sprite in Ondine in a performance with Mel Ferrer, whom she would wed later that year. For her performance in Ondine , Audrey was awarded the Tony Award for Best Actress (1954) which, coming only six weeks after her academy award for Roman Holiday , solidified her reputation as both a film and death foretold stage star. Audrey's most famous role - Holly Golightly in Breakfast at Tiffany's. Having become one of Hollywood's most popular box-office attractions, Audrey co-starred with other major actors such as Fred Astaire in Funny Face , Humphrey Bogart and Gary Cooper in Love in the book: on the taboo who you the Afternoon, George Peppard in Breakfast at Tiffany's , Cary Grant in the critically acclaimed hit Charade , Rex Harrison in foretold My Fair Lady , Peter O'Toole in Horner's Syndrome Essay How to Steal a Million , and Sean Connery in Robin and Marian . Many of these leading men became very close to her. Rex Harrison called Audrey his favorite leading lady; Cary Grant loved to humor her and once said, "all I want for Christmas is to a chronicle of a death make another movie with Audrey Hepburn;" and the book: taboo knowing who you Gregory Peck became a lifelong friend. After her death, Peck went on camera and tearfully recited her favorite poem, "Unending Love." Some believe Bogart and Audrey did not get along, but this is untrue. Audrey on the set of a chronicle of a foretold Sabrina with Humphrey Bogart. Audrey's performance as "Holly Golightly" in 1961's Breakfast at Tiffany's resulted in one of the most iconic characters in in the 20th Century American cinema. Her performance as Eliza Doolittle in My Fair Lady is perhaps equally as iconic. Of A Foretold! Audrey was at the center of a controversy in 1964 with the filming of My Fair Lady , due to her casting as Eliza Doolittle instead of then-unknown Julie Andrews, who had originated the role on About Syndrome Broadway. Poster for My Fair Lady featuring Audrey Hepburn and Rex Harrison. The decision not to cast Andrews as Eliza Dolittle was made before Audrey was cast for death, the role. Trickster Tales! Audrey initially refused the role and asked Jack Warner to give it to Andrews, but when they informed her that it would either be her or Elizabeth Taylor, who was vying for the role, she decided to take the part. A Chronicle Death Foretold! Julie Andrews had yet to make Mary Poppins , which was released within the time same year as My Fair Lady . Audrey recorded singing vocals for the role, but subsequently discovered a professional "singing double" Marni Nixon had overdubbed all of her songs. She is said to have walked off the a chronicle of a death foretold set after being told of the dubbing, returning the next day apologizing for her behavior. Footage of several songs with Audrey's original vocals still exist and have been included in documentaries and the DVD release of the film, though to date, only Nixon's renditions have been released on elaboration likelihood LP and CD. Some of her original vocals remained in a chronicle of a the film, such as "Just You Wait" and snippets from elaboration likelihood "I Could Have Danced All Night". Many fans believe that her vocals should have been kept in the film, at least during the first half when she still has a Cockney accent and her voice is not as refined. Foretold! The controversy over raisin in the sun, Audrey's casting reached its height at the 1964-65 Academy Awards season, when Audrey was not nominated for best actress while Andrews was nominated for Mary Poppins . The media tried to play up the a chronicle of a foretold rivalry between the two actresses as the ceremony approached, even though both women denied such bad feelings existed and got along well. Tangled Evil Mother! Julie Andrews won "Best Actress" at the ceremony. Andrews, however, later revealed she thought her Oscar win was just Hollywood politics. Audrey with second husband, Andrea Dotti. From 1967 onward, after fifteen highly successful years in film, Audrey acted only occasionally. After her divorce from first husband Mel Ferrer, she remarried Italian psychiatrist Dr. Andrea Dotti and had a second son, after a difficult pregnancy that required near-total bed rest. After her separation from Dotti, she attempted a comeback, co-starring with Sean Connery in the period piece Robin and Marian in 1976, which was moderately successful. Surprisingly, she turned down the seemingly made-to-order role of a former ballet dancer in The Turning Point . Of A Death! (Shirley MacLaine got the part, and the successful film invigorated her career.) Audrey made another comeback in 1979, starring in Sidney Sheldon's Bloodline . Syndrome Essay! Sheldon's books were so popular his name was included in the film's title, no doubt leading Audrey to think she had picked a winner. Unfortunately, the movie was a failure. Audrey's last starring role in a film was with Ben Gazzara in the modern comedy They All Laughed , a small, hip and breezy picture directed by Peter Bogdanovich. A critical success, the death foretold film was overshadowed by the brutal murder of the book: against knowing who you are one of a chronicle its stars, Bogdanovich's girlfriend, Dorothy Stratten; the film was released after Stratten's murder at age 20 and was not a major hit. In 1987, she co-starred with Robert Wagner in evil mother a tongue-in-cheek made-for-television caper film, Love Among Thieves which borrowed elements from several of Audrey's films, most notably Charade and How to Steal a Million . The TV-film was only a moderate success, with Audrey being quoted that she appeared in a chronicle of a death foretold it just for fun. Audrey's last film role, a cameo appearance, was of an angel in Steven Spielberg's Always , filmed in 1988. A rare Spielberg fizzle, few got to enjoy Audrey looking, indeed, angelic, before the film was pulled from theaters. In the early 1950s she was engaged to the young James Hanson. She called it "love at first sight;" however, after having her wedding dress fitted and date set, she decided the likelihood marriage would not work, due to the demands of his career that would require him to be gone on business most of the a chronicle foretold time. She had the wedding dress given to raisin sun a poor Italian couple, who still have it today. Audrey did marry, twice: to American actor Mel Ferrer and to an Italian doctor, Andrea Dotti, and had a son to each husband. Sean in 1960 by Ferrer, and Luca in 1970 by Dotti. Audrey met Mel Ferrer at a chronicle of a death a party hosted by Gregory Peck, and quickly fell in love with him. In The! After Sabrina , Audrey went back to the stage, this time with Ferrer in of a death a play called Ondine , in which she played a water sprite. Ferrer was rumored to be perhaps too controlling of Audrey, but in William Holden's words, "I think Audrey allows Mel to think he influences her." Audrey with first husband, Mel Ferrer. She married Mel Ferrer on 25 September 1954. The marriage lasted 14 years until 5 December 1968. In the trickster tales later years of the a chronicle marriage, Ferrer was rumored to have had a girlfriend on the side, while Audrey had an affair with her handsome Two for the Road co-star, Albert Finney. After the marriage fell apart, Audrey met Italian psychologist, Andrea Dotti on a cruise and fell in elaboration love with him on a trip to Greek ruins. She believed she would have many children, and possibly stop working. She married him on a chronicle of a foretold 18 January 1969. Although Dotti loved Audrey and was well-liked by Horner's Essay, Sean, who called him "fun," Dotti had affairs with younger women. The marriage lasted 13 years and a chronicle ended in 1982 after Luca and Sean were old enough to handle life with a single mother. At the time of her death, she was the trickster tales companion of death Robert Wolders, a handsome Dutch actor who was the widower of film star Merle Oberon. She met Wolders through a friend, in elaboration likelihood the later stage of her marriage to Dotti. Death! Six months later, they met again for a drink, which turned into dinner. They fell in love, and after Audrey's divorce from Dotti was final, she and Wolders started their lives together, although they never married. In 1989, after nine years with him, she called them the happiest years of her life. "Took me long enough," she said in an interview with Barbara Walters. Part Time! Walters also asked why she never married Wolders. Audrey replied that they were married, just not formally. Of A Death! Audrey and About Essay Wolders planned the UNICEF trips together. At every one of her moving speeches, Wolders would watch and a chronicle of a sometimes shed tears. Soon after Audrey's final film role, she was appointed a special ambassador to the United Nations Children's Fund (UNICEF). Grateful for her own good fortune after being a victim of the Nazi occupation as a child, she dedicated the remainder of her life to helping impoverished children in the world's poorest nations. Though she had done work for UNICEF in the 50's, this was a much higher dedication. Those close to her say that the thoughts of dying, helpless children consumed her for the rest of her life. She visited countries in Africa and part friendship South Asia as part of a chronicle foretold UNICEF programs. She dedicated herself to spreading awareness of the conditions of these nations and doing what she could to help directly. Syndrome! In one interview, she mentioned buying camels and solar boxes so medicines could be delivered to a village in the middle of a desert. She worked tirelessly for UNICEF and various causes in Africa and other South Asian countries, even in the last months of of a foretold her life. Audrey on a UNICEF mission. In 1992, President George Bush presented her with the Presidential Medal of trickster tales Freedom in recognition of her work with UNICEF, and the Academy of Motion Picture Arts and a chronicle of a death Sciences awarded her The Jean Hersholt Humanitarian Award for About Syndrome Essay, her contribution to humanity. A Chronicle Of A! This was awarded posthumously, and her son accepted the award on her behalf. In late 1992, Audrey began to feel pains in her stomach, which turned out to be a rare form of cancer that originated in the appendix. Trickster Tales! Audrey had surgery in a Los Angeles hospital, but the cancer continued to spread, and of a death she apparently refused chemotherapy. Audrey died of colorectal cancer on 20 January 1993, in Tolochenaz, Vaud, Switzerland at the age of 63, and trickster tales was interred there. This article is modified from an article that appeared on WikiPedia. This website is a fan website and has been created to help people learn about a chronicle death Audrey Hepburn. This is an unofficial, non-commercial website and About Horner's is not connected to Audrey Hepburn or her family.

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