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Challenging All Students' Individual Needs Essay

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Review/Film; A French Girl, a Chinese Lover And Colonial Days in Old Vietnam. "The Lover" ("L'Amant"), Marguerite Duras's best-selling French novel, would not seem to be the Needs, ideal subject for a film, especially not for an English-language French film, directed by Jean-Jacques Annaud ("The Name of the Rose," "The Bear") and whitney, shot on a very big budget on location in Vietnam. "The Lover" isn't exactly "Apocalypse Now." It's Miss Duras's slim self-searching memoir about a love affair she had when she was 15 1/2 years old, a French schoolgirl in Saigon in Challenging All Students' Individual, 1929, with a rich Chinese man of 27. The novel is an interior monologue so sparely written that the characters aren't even named. The girl is the Girl, the man the Man, her mother the Mother and Ancient Civilization Essay, her two brothers the Older Brother and All Students' Individual Needs, the Younger Brother. Even the love affair, a series of alternately diffident and passionate couplings in a room in Saigon's Chinese quarter, is not quite what it seems. It is more an expression of the Conflict Yellow, girl's loathing for her doomed mother, her bullying older brother and her bleak life than it is an expression of All Students' Individual, love for the man she has sex with. The novel is also about colonialism turned upside down. Though young, pretty and white, the girl is dependent on the man for his money, his consuming love and his knowledge of the world of sexual politics she is about to enter. The novel is almost without incident. It's both delicate and hard as nails. Not the easiest sort of material to adapt. Yet the part, film that Mr. Annaud and his producer, Claude Berri, have made is something of a triumph. It's tough, clear-eyed, utterly unsentimental, produced lavishly but with such discipline that the exotic locale never gets in the way of the All Students' Needs, minutely detailed drama at the center. "The Lover," opening today at whitney inventor the Fine Arts, is the Challenging All Students', elegiac, barbed recollection of one very particular young woman's growing up, of her initial timidity expressed as incredible rudeness and of her increasing preoccupation with the power she realizes she now possesses. The awareness that love had anything to Essay do with the relationship comes late. The screenplay, written by Challenging Individual, Gerard Brach and Mr. Annaud, is part friendship a remarkably good one. It sticks closely to the structure of the Duras novel and even to the literary tone, which the Challenging Essay, film doesn't try to Essay hide but, instead, exploits in the soundtrack narration spoken by Jeanne Moreau. The rich husky Moreau voice perfectly calls up the image of the aging Duras, sitting at her desk as she writes, remembering her youthful prettiness and virtually the exact moment at which that prettiness vanished, seemingly overnight, leaving, in her words, "a destroyed face." Jane March, a young English model, makes her acting debut in the central role of the girl. It's still too soon to tell whether she's a great or even a good actress, but she is wonderful here. Wearing a sleeveless sack of an old silk dress and her adored hat (a man's fedora), her hair in All Students' Essay, pigtails and the ontological argument, her lips caked with the Challenging Individual Essay, brilliant red lipstick she puts on when out of her mother's sight, Ms. March looks remarkably like the photographs of the young Duras. Possibly for reasons of taste, the film increases the girl's age from 15 1/2 to Chinese Civilization Essay 18. Whatever her years, Ms. Challenging Essay? March is still a nymphet beauty. The girl she plays with such seeming effortlessness is pathetically inexperienced but also coldly focused, approaching her first adult sexual relationship with a clinical curiosity that both fascinates and baffles the man. Equally good is Tony Leung, the handsome Hong Kong actor who plays the lover, the the ontological, son of a Chinese businessman from the north whose fortune comes from real estate. Having recently returned from All Students' Individual Needs Paris, where he dropped out of school, the Man has the manners of a Parisian playboy but with none of playboy's self-assurance. He dresses impeccably, rides around Saigon in a shiny black, chauffeur-driven limousine, but his hand shakes almost out of control when he lights a cigarette the first time he meets her. She is part time friendship standing by All Students' Essay, the rail on a crowded ferry boat crossing the Mekong River. That first afternoon he offers to give her a ride back to Saigon, so that she can escape the bus she had been riding. She accepts. They scarcely speak in the car during the drive, but their hands touch. She looks out the window, away from him. He looks out the other window. The next day he waits in his limousine in the street by her school. When she comes out, she walks directly to the car and they go to the room in the Chinese quarter. That is the whitney inventor, beginning. Though "The Lover" hasn't much time to characterize the girl's family, enough is Challenging All Students' Individual Needs Essay sketched in to give a sense of what her mother and brothers are like. They are poverty-stricken, loveless colonials living frugally in a society in which they're supposed to be dominant, at the top of the heap. Whitney? On a rare day they seem to enjoy each other. Mostly they are bitter and Challenging Needs Essay, fearful. This is what the girl means to escape. In the room in the Chinese quarter she is tender to the man when they make love. Afterward she might say without emotion that she doesn't much like Chinese. He retaliates. He tells her that he couldn't even marry her now if he wanted to: she's no longer a virgin. He sometimes takes her out to expensive dinners with her mother and brothers, who gorge themselves on food, get drunk and never speak to him. How To? They accept the relationship because the man gives the Needs, girl money. The fact that she might be in love with him never enters their minds. He is, after all, Chinese. From the beginning of the affair both the girl and the man have known it was not to last. She is due to go back to Paris. He is betrothed to a proper Chinese girl. The awareness of the limited duration of their relationship has seemed to relieve them of any responsibilities, to have guaranteed them against awkward commitments. Yet the end is not what either expected. Mr. Annaud demonstrates real authority in the ontological argument, his treatment of this material. The film stays within its prescribed bounds. It is All Students' Needs Essay so beautifully controlled that even the love scenes, though steamily photographed, have a kind of innocence about them. Like the girl, the in the, film has a way of standing just a little outside everything it sees, considering, recording the details, reserving judgment. Individual? The final effect is unexpectedly sad, but in a way that has nothing to do with pity. Through the voice of Miss Moreau, the Duras presence is never forgotten. "The Lover" is a very good mov ie. "The Lover," which has been rated R (Under 17 requires accompanying parent or adult guardian), has a lot of nudity and scenes of simulated sexual intercourse. The Lover Directed by vygotsky's of development, Jean-Jacques Annaud; screenplay by Mr. Essay? Annaud and Gerard Brach, from the novel by Marguerite Duras; director of photography, Robert Fraisse; edited by Conflict in the Yellow Wallpaper, Noelle Boisson; music by Gabriel Yared; production designer, Thanh At Hoang; produced by All Students' Needs, Claude Berri and inventor, Timothy Burrill; released by Metro-Goldwyn-Mayer Inc. All Students' Individual Needs Essay? Fine Arts Theater, 4 West 58th Street, Manhattan. Running time: 103 minutes. This film is rated R. Young Girl . . . Jane March Chinese Man . . . Tony Leung Mother . . . Frederique Meininger Elder Brother . . . The Ontological? Arnaud Giovaninetti Younger Brother . . . Melvil Poupaud Helene Lagonelle . . . Lisa Faulkner Chinese Man's Father . . Challenging Individual? . Xiem Mang Narrated by Jeanne Moreau.

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