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Client-Centered Therapy by Rogers: Techniques & Definition - Video

Client centered therapy techniques

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Price discrimination strategy. Price discrimination implies charging two different prices for the same commodity in two different and distinct markets. With the centered techniques two different target market which are believed to be distinct thus having different elasticity of demand I will be able to charge different price for the same products. For the local buyers that are students and was abigail local residents I will charge a low price because they have an client centered techniques, elastic demand. This means that their quantity demanded with greatly respond to was abigail adams born a change in price. Client? On the other hand, for the visitors I will charge a high price on the products they purchase. This is because they have an inelastic demand meaning that any change in price will not affect the amount of quantity demanded by them. As a result of o'connor sparknotes, this strategy I will be able to increase my revenues and profits. The strategy is supported by the assumption that there will be no market switching by the visitors (Mankiw, 2008, pp. Client Centered Therapy? 89). With the scene romeo and juliet absence of government intervention in the market the prices of various commodities is determined by the forces of demand and supply. In that case the market is at equilibrium at point, e, where demand is equal to supply. At point, e, Pe is the equilibrium price of the client centered cable TV and Qe is the amount of quantity demanded of the cable TV. When the government intervene the flannery sparknotes market with price control policies, in this case, price ceiling, which is the maximum price that can be charged by the sellers on cable TV as shown above by letter P. Client Centered Techniques? At that point there is sparknotes excess demand of (QsQd). The quantity demanded is represented by Qd units whereas quantity supplied is centered techniques represented by Qs units. This means that less cable TV will be produced by the industry as compared to romeo and juliet those required by centered the consumers. This will create deficiencies in the market. It may eventually result to the demise of the industry due to high cost of production per unit (Hylton, 2003, pp. 76). With the introduction of cheap, new and satisfying type of programming, the baring banks resulting effect will be an increase in the number of product being demanded translating to increased supply of the same by the industry. At last the industry will be able to increase its revenues and profits because of reduced cost per unit of the products. The supply curve will shift downwards indicating an increase in client techniques quantity supplied for the market to nursing interventions be in equilibrium. * Final order price might be slightly different depending on the current exchange rate of chosen payment system. Long run average cost curves. The different market systems have different shapes of their long run average cost curves. For instance, the long run average cost curve of a natural monopoly is steeper downwards as compared to that of perfectly competitive market. The reasons behind, is that for a natural monopoly it is in client centered a position of increase its output and price in the long run. The monopoly will ensure that it maximizes its capacity. With increased production the cost per unit will be reduced. This will be lower compared with the MES (minimum efficient scale). For the sparknotes case of a perfect market as we move downwards the long run average cost curves we have the constant returns of scale. At this point the average cost of production is equivalent to the MES (minimum efficient scale). New model of digital camera. Initially the market is assumed to have inelastic demand for the present buyers as compared to centered therapy techniques the inelastic demand of the future buyers. Presently and in the future the products are still the same but the price is the factor that has changed. This is discrimination between the present buyers and the future buyers. The reason is that with the initial high price the producer has been able to meet the production cost therefore the low price in the future will just be equated to the average variable costs (Gillespie, 2007). Rationale and implications of new guidelines. The new guidelines seek to challenge and identify competitively unhealthy mergers as it avoids interference on mergers which are neutral or beneficial competitively. In most cases merger analysis are highly predictive hence it is possible to carryout an assessment about the outcome. It also illustrates the chief analytical methods and the evidence that is baring banks relied upon by the agency in order determines whether the centered therapy merger will reduce competition (Marshall, 2010, pp. 63). It is not meant for how to look at baring banks cases but horizontal mergers. They are meant to help the business society together with antitrust practitioners through an increase in transparency of the analytical procedures based on client techniques, the agencies decisions on enforcement. The guidelines will also help the court with the interpretation and application of the for dka laws concerning antitrust within the context of horizontal mergers (Blinder, 2008, pp. 67). The guidelines should also be look at with the anticipation that there is no universal method to be employed for its application. This means that it is a process which is based on facts together with the extensive experience of the agencies of utilizing the different analytical tools to the present and unfailing evidence to assess within a short period of time the competitive concerns. The summation theme is that the mergers should not be allowed to enhance, create or establish market power or in any case facilitates its exercise. It will strengthen the market power only if it will be in a position of encouraging more than one firm to increase their prices, lower output, reduce innovation or cause harm to customers because of client centered therapy, minimal competitive incentives. The merger can only wuthering heights notes strengthen the market power only centered techniques through reduction of competition among the merging parties (Perloff, 2001, pp. 61). The guidelines majorly clearly state the nursing for dka procedure on the analysis of client therapy techniques, mergers by flannery o'connor sparknotes the Agencies among competing suppliers which may strengthen their power as merchants. This will results into an increase in centered the prices charged on consumers. It can also be looked in terms that are price unrelated such as low product quality, minimal product variety, reduced innovation and reduced service. The two can coexist together. Mergers are normally assessed based on their shock on consumers. On the oedipal crisis other hand, the strengthening of what we call monopsony power that is the power vested on the buyer has got greatly adverse effects as compared to that of the seller. The guidelines are also used to analyze any mergers between buyers that can strengthen their market power. Buy Principles of Economics essay paper online. Do you want to centered therapy techniques get an. Get a generous discount on the original paper on this topic.

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Custom A Raisin in the Sun essay paper writing service. The main purpose of the critical analysis is outlining the client centered, key features of the A Raisin in the Sun due to the following areas of the analysis: storytelling, acting, cinematography, editing, sound, style and directing, societal impact, genre, film criticism and analysis. Storytelling. First of all it is important to play additional attention to cliff, the background of this film. Initially, A Raisin in the Sun is a play, which has been written by Lorraine Hansberry. The title of this play is borrowed from centered techniques, poem "Harlem", which is also known as “A Dream Deferred" (written by Langston Hughes). It is oedipal crisis dedicated to experience of the black family, which was living in the Washington Park Subdivision of Chicago's Woodlawn neighborhood. Another important aspect of the background of A Raisin in the Sun that there are four films, which have been screened according to the plot of this play: in 1961 - directed by Daniel Petrie, in 1973 there was a musical Raisin – written by Robert Nemiroff and in therapy techniques, 1989 it was adapted into a TV movie and directed by Bill Duke and finally in 2008 Kenny Leon has directed the TV film A Raisin in the Sun (Ihejirika 2). This paper would be dedicated to the analysis of the first version by Daniel Petrie -1961. For Dka! The plot of the film is based on the family relations within the black family, which is living in the Chicago's South Side. The main problem for client centered techniques solving in this family is allocating 10 thousand USD which were left after the death of Lena's husband (insurance payment). O'connor! There are different variants of spending and investment this money and some contradictions occur inside of the family. It is possible to say that the film is dedicated to client centered therapy techniques, outlining of was abigail such aspect of family life as planning of the family budget and allocating sources in the most effective way. The supervisor was tending to show that every member of this family is tending to apply this money for his own needs, but not for the common good. All the propositions sounded like the variants for the common goal achievement - improving the life level of the family, but in client techniques, the reality the situation has developed in the opposite way. Another problem, which was inherent to many families of 1960-s and also to interventions for dka, the nowadays families is that planning of giving a birth for a child is often based on the income level of the family. In other words, money make a decision instead of humans in this case. One more idea, which has been outlined in this film, is that people still believe that in spite of the material problems it is possible to survive and to client therapy, achieve the main goals of the was abigail born, family life while being optimistic, goal-seeking and while having a strong family values and support. The problem of black people and the discrimination issues are also represented in the movie. In order to develop the topic, considering the client techniques, discrimination in A Raisin in the Sun, I would like to rely to the race and gender differences and interrelation between these two notions. It is important to outline the background of each notion. Usually, race is considered as the wuthering heights cliff, classification of humans due to the factors of appearance, which are based on client techniques heritable phenotypical characteristics or geographic ancestry. In nowadays social science, gender is considered as the social sex - behavior of individual in some social conditions. Wuthering Heights Notes! Also, this notion is applied in the case of the sexual inequality discussion (Burr 46). It is possible to therapy techniques, say that race and gender are interrelated notions and at the same time, additional attention in the social life development has been paid to the gender issuers and in A Raisin in when was abigail adams, the Sun in particular. While investigating the client centered, problem of gender in the light of baring banks discussed movie, it is important to make an emphasis on the fact that there is a significant three-scale difference between women in color and white women: while females are encapsulated in the domestic sphere, economic subordination and client centered techniques also in the class, which they belong to and women of nursing for dka color are not. it is possible to see this three scale difference on the example of the centered therapy techniques, family, should in the movie. From the other hand, there is an integrating movement in the nowadays social life (which has started in the second part of the o'connor, 20-th century) - feminism, where all these three factors are investigated in the light of both white women and women of color and the main aim of the movement is reaching of female independence, universal rights, applied both for client techniques men and women and oedipal crisis also the possibility of being the active participant of the social life. While discussing the problem of therapy techniques racism, it is possible to say that the racial discrimination in many well-developed countries and in US in particular is inherent to all the fields of human life and activities: education, job searching, health care, cultural, lending and even in occupying some positions in governmental structures. It makes a negative impact not only on the social life, but there are also different restrictions for those representatives of minority, who are willing to participate in wuthering cliff notes, economical life of the country and to become being the entrepreneurs. Investigation of the racism problems is carried out and different experiences, concerning that issue are outlined in order to discuss some barriers and therapy techniques obstacles. Racism awareness, in turn, is tending to achieving understanding of the process and operation of racism and finally the antiracism information is investigated in order to achieve the legal compliance, enhance social justice and finally to raisin specific performance levels. Also, after watching A Raisin in the Sun, I, as the individual, living in wuthering heights notes, the 21-st century, have made a conclusion for myself that the cross-cultural interrelation in the multinational social group should take in consideration all aspects of the human behavior and should remind the experience of the previous generations in the racism, gender issues and other types of discrimination and their outcomes. It is important to make an emphasis on the fact that the 1960-s are the beginning of the managing the discrimination issues in client centered therapy, US. Scene And Juliet! The term "affirmative action" has been issued in US for the first time in client techniques, the Executive Order 10925. This order, in turn, has been signed by John F. Kennedy on March 6, 1961. The key task of the order implied the practical implementation of the measures, directed to when adams born, the non-discrimination achievement. The main purpose of the affirmative action is the promotion of the equal opportunity (which is widely discussed in the movie). Its practical implementation is presented in the governmental and educational establishments and it is directed to centered therapy techniques, the ensuring of the oedipal crisis, fact that the minority groups are included into all available social programs and that their rights are protected. In the therapy, light of the justification of the affirmative action, its core purpose is assistance in compensation of the discrimination, exploitation or persecution, which have taken their place in the past by the ruling class of a culture. When Was Abigail Adams! One more important aim, is addressing the discrimination, which currently exists. While taking in account quotas, it is possible to say that they have not been legal in US in the early 1960-s , and that issue, in turn, implied the following factors: there was no legal possibility of limiting the client centered therapy techniques, number of the representatives of each race in flannery, the educational establishments, in the companies or in other entities. It is obvious that the practical implementation of this regulation has not been such strict and the regulation in whole because there were other valuable reasons for not hiring the representatives of the black family or of other minority groups or providing them with an equal rights with other citizens of the country. The stage director has met the needs and views of the current society and has represented the core problems o the minority groups in US in therapy, the movie (Das Gupta 67). While taking in account the fact that the black families are the baring banks, representatives of the African American race, they are indigenous communities. Martínez Cobo considered as the indigenous communities, (and African Americans in particular) as peoples and nations as those people, who have inhabited in the certain territory before the invasion; have the historical continuity in that place and consider themselves and the separated groups or societies from those, which are currently prevailing in those territories, or parts of them (Cobo 5). In US, the client therapy techniques, problem of indigenous peoples has got its historical background and it was caused by multinational social structure of the United States society. Some sociologists call US as the ‘Melting pot’- the country, which has got multinational society from the born, very beginning of its existence. In A Raisin in the Sun,, the problem of the African Americans in considered in the light of the social life and opportunities for the life level development and improvement. Additional issue, shown in client centered therapy, the movie is the women’s movement issue. The background of this problem may be defined as the baring banks, social movement, which is directed to implementing the radical changes it the social life. The reform movement may be directed to client therapy techniques, the global changes in when adams, the social life and also it may cover particular areas of human relations. While taking in consideration the women’s movement, it is obvious that the centered techniques, key aim of this reform was protecting the women’s rights. The women’s rights, in adams, turn, may be defined as freedoms, which are claimed by women and girls of different ages and social groups. Such movement has taken its place in the beginning of the 20-st century in US and in other countries. The key purpose of the women’s movement has been the achievement of the women’s rights support by the jurisdiction, by the local customs and by the behavior of the local population. Acting. In 1961 version of the A Raisin in the Sun Sidney Poitier, Claudia McNeil, Ruby Dee, Diana Sands, Ivan Dixon, John Fiedler were starring. Client Techniques! Generally, it is possible to make an emphasis on the negative feature of acting- too much of theatre manner in acting, which is not inherent to the cinema. Genre. A Raisin in the Sun is a realist drama, which represents the human spirit and shows the was abigail adams, real life of the ordinary working class Americans. This genre is a key advantage of this movie in comparison with those ones, which are dedicated to the entertainment of the wealthy people, who own luxurious cars, villas and have an expensive entertainment every day. In this movie the therapy techniques, representatives of the working class Americans can see themselves- with their dreams’ and intensions, concerning purchasing a new house, going to medical school or investing some money into a promising business project. From the theoretical approach, the realist drama is associated with such film genre, which is dependent on the dealing with the emotional themes of the realistic characters. Such dramatic themes which are represented in the A Raisin in and juliet, the Sun violence against women, moral dilemmas, racial prejudice, class divisions, poverty etc out the main heroes in the conflict situation with their own inner world. Cinematography. Movie A Raisin in the Sun is adapted from the play of the same name and it has not got significant changes in its plot. In other words it is possible to say that the film replicates the stage performance and it is completely impossible to distinguish it from the original play. Some critics consider that there is a lack of tools, provided by the rich possibilities of the centered techniques, cinema. As an example, the vast majority of the movie (approximately 95% of the total time) takes place in apartments of the family and it is possible to consider such approach towards screening as the stage performance one – that is a weak point of the cinema. There is a minimal adaptation of the oedipal crisis, play to the cinema. Editing. While taking in consideration the quality of centered therapy techniques actors’ work, it is possible to say the following: the style of acting is a theatre one - when the actors need to scene romeo and juliet, seem bigger than in techniques, a real life, because they are located closely to their audience. That issue was taken as a basic rule while screening this play, but in the cinema production, another sort of requirements exist: actors need to show the interventions for dka, lifelike picture and the main difference of the cinema from the theatre for actors is that they have to restrain themselves in their movements and actions - only in such case it is possible to create lifelike picture. In A Raisin In the Sun movie it is possible to consider Poitier's work as the most extreme one- he seems to act like in theatre in therapy techniques, while starring in this picture (Rich 7). There are two variants of A Raisin in scene from romeo and juliet, the Sun – in the theatrical aspect ratio 1.85:1 and also in full screen version. This review considers only widescreen edition. It is possible to say that there are some flaws in A Raisin in the Sun, but generally its quality is acceptable for a 50-years film. The sharpness is also acceptable. Talking about the quality of the print -from time to time it is centered possible to see some mild grain and also some minor speckling. Oedipal Crisis! The shadow details and the black levels are acceptable during the centered therapy techniques, whole picture. Generally, the quality image of the A Raisin in the Sun is its strong point, while taking in consideration the born, age of client centered therapy this movie (Jacobson 58). Sound. Sparknotes! The film sound is a monaural audio. Its quality is relatively strong – it is client centered techniques clear and crisp and it meets all the requirements of its time and scene from romeo nature. All the dialogues seem to be natural and warm and centered therapy their quality is even better than in other films of such vintage. Talking about music and interventions for dka effects, applied in this movie, it is possible to say that they sound not in the forefront of the mix, but at the same time they seem to be adequate for the material. Generally the sound of the film meets all requirements of its time and nature. Film Criticism and techniques Analysis. Wuthering Heights! Generally, it is possible to say that A Raisin in the Sun is centered dedicated to the everyday problems of a black family in 1960-s. From the other hand, the needs and values of the family may be also applied for the working class white American family. This picture is flannery topical nowadays because the core needs of people are still the same- willing to live in comfortable apartments, tending to get the education and the financial aspect in the family creation and planning- that all is still on the agenda for client therapy many families all over the world. It is possible to conclude that the social impact of the film is high because of the main theme, outlined in the picture. To the strongest points of the film it is heights notes possible to techniques, consider the main theme, which is the burning issue for many families. Also it is important to make an emphasis that the working class people were included into nursing interventions, the picture plot as the therapy, main heroes and this aspect has differed the film form another nowadays movies, which collect the glamour approaches to the life and forget about the traditional family values of humanity. After watching this film, person realises that his or her problems are the traditional ones for hundreds and thousands of other families and after watching the movies about the high class social life, people understand that they do not belong to such class and that they won’t have an when opportunity to live such way as the main hero does. That, in turn, leads to the depression and misunderstanding with own inner world. The weak point of the A Raisin in the Sun is its theatrical roots. Therapy Techniques! Some critics even consider this film as the photographed play. To my personal opinion, A Raisin in the Sun may be considered as the classic of the US movie, related to the issues of the racial discrimination, gender inequality family relations, inherent to the 1960-s. Such movie may be considered as the visual instruction for the future generations and its topicality is still inherent to the current social problems. After watching such movie, my personal; attitude towards family problems and values changed radically. For instance, the problem of the family planning in many cases still depends on the welfare of the couple, when giving a birth for a child is the problematic issue due to the fact of the material sources lack. To my opinion, it is not acceptable issue but it still exists in our society and it even does not depend on the race issues. I have chosen this movie to be discussed because it represents the core problems of the social and family life, but not the dull-witted relations between young people, the plastic smiles and wuthering heights cliff the artificial values. Finally, while taking in account all the theories and client therapy the core values of the basic philosophical theories (relativism, egoism, natural law, virtue ethics, deontological, utilitarianism and social contract theory), related to the ethics of human relations, it is oedipal crisis obvious that all of them imply the friendly collaboration between the representatives of different social groups and at the same time, there are different aspects of such collaboration - some of them are directed for the common goal achievement, because they are oriented on the individual approach towards the goal achievement and finally, there is a theory which implies achievement of the total happiness for all the representatives of the group. At the same time, the integrative feature, common for all the therapy, theories implies the collaboration, but not the discrimination of the minority groups (Glenn 55). The film has shown such approach and integrated all the theories of the human relations and collaboration and that is why is the masterpiece of the psychological approach towards man relations, represented in oedipal crisis, the form of the client therapy techniques, movie. Even while taking in account some technical disadvantages, the core idea has been represented on the high level. To conclude I would like to say that such notions as race and gender and their investigation is an o'connor sparknotes urgent question for the current society because there are still many cases when people are not provided with an opportunity to achieve the desired aims because of their sex or race and such issue causes cross-cultural conflicts and leads to the social instability. Buy A Raisin in the Sun essay paper online. 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Client-Centered Therapy by Rogers: Techniques & Definition - Video

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Person Centred Therapy - Core Conditions | Simply Psychology
The Iliad is a treasure-house of beautiful objects of art swords, cups, robes, bows, beds, shields. The poem’s most beautiful symbols are, first of all, absolutely useful objects. No object has purely enhancing value. The epic poet’s delight in naming things is always accompanied, in Homer, by the process which all together relates them to the larger setting. One function of the artifact, of course, is to convey its user’s identity: that is, the centered therapy artifact shows his skill specific kinds of action, so that Aias, for example, comes to flannery o'connor be identified by the towering shield behind which he himself stands firm as a tower or Hektor by his flashing helm which serves as a inspiration to the charging Trojans. In this way, Aphrodite’s girdle, Athene’s aegis and helmet, and Apollo’s bow and lyre are images that make it easy to client centered techniques memorize their users’ various roles in baring banks the epic scheme (Kenneth John Atchity, 1978). Directly linked to this immediate function is the role the artifact plays in therapy techniques the structure and composition of the poem. Consider the simile used to describe Menelaos’ wound in Book 4: And straightway from the romeo and juliet cut there gushed a cloud of dark blood. As when some Maionian woman or Karian with purple colors ivory, to make it a cheek piece for horses; it lies away in an inner room, and many a rider longs to have it, but it is laid up to be a king’s treasure, two things, to be the beauty of the horse, the pride of the horseman: so, Menelaos, your shapely thighs were stained with the color of blood, and your legs also and the ankles beneath them. Centered. (4.140-47) The developed form of Homeric epic differs drastically, not only from the prehistoric saga, but even from the most refined evolvements of oral poetry found anywhere. The preferences of Augustanism, periodically recurring, have created an inclination to see in Homer a vigorous and effective, but primitive art. Such an idea, though, confuses subject matter with treatment. Homer’s tales are old, and there is savagery in them. They are not “abridged,” but they are reconceived, and the Homeric reconception depends on as self-conscious creativity as is to be found in literature. The poet’s precursors, answering as they could the varying demands of Greek taste, doubtless account for something, but it is imponderable. Homer reckoning with oral methods both in their limits and their opportunities; and is extremely sophisticated, subtle, and contrived. The contents, like the contents of Geometric art, have an ancient look at times; but the touch are illicit, the intention steady, and the design ever present. If the festivals and what they oblique for Greek culture in the eighth century offered the setting and conditions for such art, the nature of the wuthering heights cliff art and its motivation should be sought in client therapy the poems themselves. For a poet whose language and whole artistic means is born, bound by the fairly rigid rules of an age-old tradition, the dilemma of originality is in great part one of formal mastery. But it also lies in the academic or intuitive diffusion of the themes and character shapes which comprise the heroic typology. Parallels are not far to inquire in early epic literature for the diverse kinds of valor symbolized by Homer. Everywhere can be found, reformed according to shifting cultural standards, the ideal hero, chevalier sans pear et sans reproached, the centered therapy cunning hero, the boaster, the grim and aging warrior, the to some extent buffoonish hero, the aged king, the warrior virgin, the wise counselor, or the young reckless fighter. Action also falls into types: the archetypal siege, the brilliant trick, the hand-to-hand duel, imprisonment and liberate of a famous warrior, disappearance, and return. Nursing. Such blueprints of character and act lie in the storehouse of Western culture, heavy with poetic insinuations. In selecting as the center of the Iliad the pattern of the hero who retires from the war, Homer perhaps did nothing extraordinary. The type surely existed, as the tale of Meleager shows. But to build this matter into a study of heroic self-searching and the dark night of the soul was ingenuity in the highest sense, and a far cry from centered techniques, those glimpses of an old Achaean rough and stumble which occasionally peer through the consistency of oedipal crisis, Homer’s work. Homer’s genius is like a shuttle drawing the deform of profound reticence across the woof of old, half primitive material, from the time when heroism meant primarily physical prowess, murderous adroitness, colossal self-assertion. Yet it is also perhaps part of essential human equipment that the germs of a counteractive to this self-assertion are not wholly lacking amongst the original types themselves. The hero who retires out of centered, wounded honor, though he may not achieve the stature of Achilles, should nevertheless be in wuthering heights cliff some degree a man of compound sensibility. There is an client, interesting brief episode in one of the Serbian epics which relays how one hero went out to wuthering heights cliff slay a famous marauder; he consummate his task, but then was stricken with repentance for having slain one better than himself, and disappeared forever into a cave. Client. In the baring banks Arthurian legend, it will be remembered, Lancelot has periods of madness, when he is dependent, and Orlando too went mad. The consciousness of desolation amid greatness and success was perhaps not originally the most accepted theme for epic singing, but in Homer’s hands, it grew to therapy overshadow all else, and originated, for baring banks, the first time that we know of, the primal shape of client centered therapy, tragedy (Aycock, W. M., and T. M. Klein, 1980). The problem of Homer’s originality, is in fact simplified rather than obscured by oedipal crisis the oral theory. The only function denied Homer by the nature of his medium was, for techniques, the majority part, novelty of phrase. Wuthering Heights Cliff Notes. All the larger features of his poetry were his own to form, character, configuration, imagistic economy, and above all, point. It has really been suggested that Hector and Patroclus are his own inventions. It cannot, certainly, be proved whether they are or not, and the supposition seems a little unlikely. On the client therapy other hand, it is wuthering heights cliff, also needless, for beyond question Homer has shaped these two figures, with all his others, to a purpose completely his own; there is a strong probability that whatever Hector and Patroclus were earlier, in Homer they have become somewhat new, and understandable only as parts of the Iliad. The careful and dependable identification of Hector with Troy itself, especially in the Andromache scene and the scene where his death represents the fall of the client centered techniques city, can have found its motivation only in a poem which intended at wuthering cliff drawing the client techniques significance of the from whole epic tradition about Troy into the frame of a single dramatic action. So too, Patroclus, whether created from nothing or from a figure already existent, could never have accomplished his complex character outside a poem which requisite him to substitute for the dread Achilles on the battlefield, and at the same time to be the centered quintessence of gentleness and friendship. Similar observations could be made concerning practically all the nursing interventions characters in the Iliad. One cannot, for example, imagine that Agamemnon always appeared in epic tradition as he does in Homer. The great king of Mycenae should have been represented as noble, as a minimum at his own court. But Homer has handled him with the most subtle irony, as a foil to Achilles, using all his customary eminence as a means of diminishing the man. Early in the poem, Nestor points the issue adequately, when he attempts to bring Achilles into reconcilement with the king: Do not you, Achilles, set your will at strife with a king, Hostile, for never a scepter-bearing king, to whom Zeus gives. Glory, has stood in equal honor with other men. If you are the mightier, and a goddess was your mother, Yet he is client centered therapy techniques, greater, for he rules over heights notes more men. The perfection of Homer’s art as seen in his two epics, the Iliad and the Odyssey, has been almost obvious among critics. The tragedies of centered therapy techniques, Aeschylus, Sophocles, and nursing for dka, Euripides, though only a small number of them are still extant, reached around the same level of greatness as the epics of Homer. Their greatness is adequately apparent in the works that survive. Appreciation of the client centered therapy techniques tragedians can be too narrow or otherwise derisory because so much of what they wrote is forever lost to us, but enough remains to designate their quality. Even less, unfortunately, remains of Menander, of whom we have not a single absolute work. Homer exhibited a world at war in interventions the Iliad. Its hero is sometimes too little concerned concerning means, but his general aims are represented as noble and client centered techniques, good, to live on in peace and affluence while he rules wisely and well and gives gods and baring banks, suppliants their due. It would be a relic to denounce Homer as a fascist because he accepts monarchy and even slavery. He romanticizes his picture of the best institutions that he knew, not to recommend them in predilection to some modern alternative, for centered techniques, such alternatives did not then exist. Flannery. He was simply concerned to make men behave with due deliberation of themselves and others within the centered therapy framework of society as he saw it. He was an educator, not a reformer. Homer’s gods are made in the resemblance of men, but he seems to adams have heard of some earlier stage, even if he failed to realize it. In some cases he uses adjectives which are only comprehensible when used of client, gods who looked like animals. Initially Hera may have been a cow-goddess and Athene an owl-goddess. At Mycenae Schliemann thought he had found cow-headed female idols, and though this has been issued, it remains true that the o'connor sparknotes cow plays a significant part in therapy techniques Argive legends relating to Hera. The usual assumption is that Hera was originally a cow-goddess, then a goddess with a cow’s head or a goddess whose sanctified animal was a cow. Of all this Homer says nothing, but he calls her βοω + πις though she is in human form. Athene in the identical way must have been an owl-goddess, and the owl is still her emblem and sacred bird on heights, the coins of centered therapy techniques, fifth-century Athens. Homer calls her γλαυκω + ̑πις, and in several places recalls ancient saga by making her take the form of a bird. In a well-known passage she appears as a vulture, and in the Odyssey she makes her desertions in the form of a bird. Wuthering Cliff Notes. This is client techniques, remains of nursing interventions for dka, Minoan belief which held that the gods emerged in the shape of birds. On the Hagia Triada sarcophagus a bird sits on each of the client techniques double axes under which the sacrifice is conducted. A terra-cotta from Cnossos shows three columns with a bird on baring banks, each. Two gold plates from the IIIrd shaft grave at Mycenae symbolize a woman convoyed by centered therapy birds. The idol from the Sanctuary of the Double Axes at Cnossos has a bird on baring banks, its head. So, too, Homer makes use of old ritual and makes Athene turn into client centered, a bird. His epithet γλαυκω + πις must come from the similar source, even if for him it meant no more than ‘bright-eyed’. The two titles of Apollo have to have a similar origin. Λυκηγενής can only signify that he was a wolf-god; such gods survived in Greece and may be the descendants of when was abigail adams, several animal-headed divinities of Minoan times. But for Homer Apollo is in human form, and in this similar line is called κλυτότοξος, a purely anthropomorphic conception. Homer should have used λυκηγενής without any sense of its meaning, taking it over client techniques from some precursor who had used it of Apollo. But in the case of Σμινθεύς Homer is on better ground. Σμινθεύς is the mouse god, and he is called by Chryses to stop the pestilence because mice were the traditional purveyors of plague. It was mice which ate the oedipal crisis bow-strings of Sennacherib’s army, and mice of which the Philistines made images. So the client therapy techniques appeal by Chryses is flannery o'connor, imperative and significant. Techniques. The word comes from the flannery o'connor pre-Hellenic word +03BCίνθα which, as we have seen, survived in client therapy the vernacular parlance of Cyprus. How Homer knew the title is quite indecisive. In this case he uses with perfect correctness a title which positively dates from scene, when Apollo was a mouse-god and had to be pacified as the sender of plague (Austin, Norman., 1975). These are the only cases where Homer’s gods and goddesses seem to owe somewhat to Minoan ancestry, and even in these they do not lose their anthropomorphic status. In place of animals and client centered therapy, birds Homer presents us with a heavenly society very like that of his own heroes. Zeus and the other gods sit on their acropolis of Olympus, whose gates are shielded by the Hours. His palace is higher than that of the from romeo others and its floor is of gold plates. Against its walls rest the chariots of the gods, and in client therapy techniques it Zeus and Hera have their own chamber. Round it are the palaces of the oedipal crisis other gods. The life in Olympus is one of politics and devouring varied with love. Therapy Techniques. Zeus controls his vassals with no more ease than Agamemnon controls his. Once they appalled against him and he subdued them with difficulty. Even now they dispute his decisions and at times defy him, so that he has to chide and intimidate them with punishments. The whole episode of the Διὸς ἀπάτη is planned to draw his eyes from the battle that the gods may take a part in it. His efforts to remain them out of the oedipal crisis war are abortive, and in the end they fight each other. The life on Olympus is human in its politics and in client centered techniques other ways too. The gods give visits to the Ethiopians, and, while they are away, much can be done without their seeing. Their blindness is indeed notable. Ares does not know when his son Ascalaphus is killed as he is clad in a golden cloud on Olympus, and only hears the news later from Hera. Hera certainly is more intelligent, and her female intuition tells her that Thetis’ visit to Olympus bodes no good to her, and Athene knows that the overcome of the Achaeans is Thetis’ work. All this is baring banks, wonderfully human, and client therapy, no doubt Homer’s audience appreciated it as such. But the poet seems to have felt that he was making it to oedipal crisis a certain extent too human and to centered techniques have used the resources of custom to differentiate his gods from men without destroying their human characteristics. He did this by the simple devices of making them competent of miraculous actions. While Zeus nods, he shakes Olympus. When Poseidon comes from Samothrace to Aegae the mountains and woods shake under him and he does the journey in scene from three steps. When Ares or Poseidon cries aloud, their cry is therapy techniques, like that of nine or ten thousand men. The gods live on nectar and ambrosia, and their blood in significance is not ordinary blood but ἰχώρ a word which appears to be borrowed from nursing interventions, Hittite. This whole anthropomorphic system has of course no relation to actual religion or to morality. These gods are a pleasant, gay invention of poets who were equipped to use their material freely in an age which enjoyed its gods. But having his gods so like men and such outstanding figures for drama, Homer was confronted with two difficulties. In the first place, though they were heaved above the beasts, they were only like human beings and centered therapy, therefore often preposterous, and in the second place such a system almost excluded any concept of the gods being concerned with human morality. These two sides of the question had obviously to be considered, and the result was that Homer followed both lines and ironically made the gods both ridiculous and impressive (Bassett, S. E. Oedipal Crisis. 1923: 339-48). It is but a small step from improving the gods to client centered making them ridiculous, and Homer easily takes it. But his special method of getting a laugh out of them is to wuthering heights cliff notes adjust some old story to client therapy their present anthropomorphic circumstances. The gods had their established attributes, and though perchance these might have been ignored, Homer preferred to stay them and work them into the plot. Wuthering Notes. The lame metal-worker, Hephaestus, is still kept lame. That was part of his character, for he hurt his leg when he was thrown out of Olympus by centered techniques Zeus. But Homer makes his lameness rather ridiculous. He busies himself with the gods’ feast and the gods laugh at him διὰ δώματα ποιπνύοντα. Ares, the war-god, was in flannery o'connor ancient story a monster of great size with a tremendous voice. So when he is wounded by Diomedes, the poet ignores his otherwise anthropomorphic character and makes him cry like nine or ten thousand men and cover seven roods with his body. Folk-lore gave even odder stories than these, and client centered therapy, Homer makes use of flannery o'connor, them. While Zeus wants to frighten the other gods and goddesses he intimidates to hang a golden rope from therapy, heaven and fasten them all to it. This hides several ancient myths which are lost to us. Here it is pure comedy. So, too, in practice Zeus had numerous wives. The large number was due to the successful sky-god annexing local sanctuaries, and flannery, therefore being associated with local goddesses by the simple maneuver of marriage. Therapy Techniques. But Homer finds humor in his polygamous Zeus. His best treatment is when Zeus, trounce by his revived love for Hera, tells her that her charms far exceed any of o'connor, his great loves. The long list of erotic triumphs is of the classiest character and well compared to centered therapy Leporello’s Catalogue in Don Giovanni. So, too, convention made Zeus and Hera brother and sister. This was awkward, but Homer laughs at cliff it. Client Centered Techniques. He recalls the early days of scene romeo, love-making between Zeus and Hera, and therapy, adds the flannery o'connor eternal touch ϕίλους λήθοντε τοκη + ̑ας. Client Therapy Techniques. Perhaps some other ritual lies at the back of the remarkable scene in which Hera beats Artemis with her bow (Crotty, Kevin. 1982). But by far the most notable is the astonishing Διὸς ἀπάμος. In the Iliad this is oedipal crisis, a delightful, if to some extent lubricious, comedy. There is great humor in the way in which Hera sets to work in client centered therapy techniques cold blood to attract Zeus, and some satire both in her success and in Zeus’ later reactions. The story is reassured from coarseness both by wit and baring banks, beauty, and maintains a high level of elegant and delightful blasphemy. But it is based on a very old spiritual notion of the ἱερὸς γάμος, the wedding of the god and centered, his bride, which is at the back of much primeval religion, and certainly seems to have been part of flannery o'connor sparknotes, Minoan religion. This belief was no doubt renowned with ritual such as we find in the festivity of the client centered therapy marriage of Zeus at Gortyn under a green plane-tree. Homer takes the familiar allegory and ritual, and turns it into nursing interventions, a story, quite devoid of religious implication and centered therapy techniques, interesting almost completely as a story. But the story was based on religion, and this gave his treatment a little added piquancy for those who knew the rite and o'connor sparknotes, the belief which it celebrated. This gay treatment of the centered therapy techniques gods was undoubtedly excellent so far as poetry was concerned. It made the gods interesting and entertaining, and it helped by contrast to display the brilliance of men, at least of o'connor, men in techniques the heroic age. Heights Cliff. But of course to the moralist and the theologian it offered grave difficulties. To attribute the universe to divine governance and then to rob that governance of any moral accountability or significance, this struck a profound blow at the moral consciousness, which demands that a man’s actions shall be sacred by some power above himself. And herein lays the elemental paradox and contradiction of Homeric theology. For the client centered therapy techniques poet it was exceptional that the gods should be as he depicted them, irresponsible, amusing, insignificant. Romeo And Juliet. But conscience demanded that the gods must control human actions and be the sentineld of justice. So Homer illogically makes the gods the arbiters of human behaviour and makes no effort to solve the inconsistency. He developed his views of spirituality and therapy techniques, its significance for morality and flannery sparknotes, religion on quite diverse lines, and left it at that. Basically this incongruity is a fault. Though Homer does so, he wraps them up in a cloak of comedy which is at variance with what he actually seems to think. Modern literature presents hardly any parallels to such a treatment of religion. And yet there is somewhat of the same contradiction in client therapy Milton. The puritan in him condemned Satan and all his ways, but the artist wanted a terrible antagonist to God and endowed Satan with heroic qualities of courage and patience. It is true that in the later books of Paradise Lost Satan becomes less heroic, but the first feeling of when was abigail adams born, sublime grandeur is ineradicable and quite alien to the religion preached elsewhere. Milton’s discord is less apparent than Homer’s, but it shows that a single poet might combine such discordant elements and approve as a poet what he deplores as a moralist. Some such explanation might account for centered therapy, Homer’s varying handling of the gods, but a rationalization might equally be found in the circumstances of his time. In Ionia thought had moved quickly and left some traditional elements far behind. Flannery O'connor. The religion of the client centered techniques Ionian dignity was no longer based on fear of the Unknown and nursing interventions for dka, an aspiration to placate it. It had reached a point where belief in the gods was linked with a moral consciousness and genuine spiritual feeling. But its art and folk-lore knew of gods who barely fitted into this scheme and were yet entirely familiar from story and ritual. The old stories were too intensely interwoven into centered therapy, its life to be derelict, but they failed to persuade its spiritual needs. Ionian society had reached an intermediary point. Flannery O'connor Sparknotes. It clung to the old beliefs, in which it had been knowledgeable, but its conscience rejected them. Homer symbolizes this change, and gives us the old world of client centered, theology and the new world of religion and ethics. Equally elements are worked into his poem, and if he fails to synchronize them, we should blame his circumstances as much as himself (D’Arms, Edward F., and scene from, Karl K. Hulley.” 1946: 207-13). It is a fundamental assume of religion that the gods have power to answer prayers. But this power can be limited in place or in character. A god may be effective here and client, not there, he can be able to answer this prayer and not that. Usually Homer’s gods are attached to special places, but their power expands beyond them. Flannery. Apollo is the lord of Chryse, and even Zeus rules on Ida or at Dodona. But in general the gods move and have no special shrine. Nor have they severely limited fields of action. So far as the war is concerned, one god can do as much as another. In the story, moving as they do in human form, the centered gods are inured by time and was abigail, place. Zeus and his fellows visit the Ethiopians, and it is implicit that nothing can be done with them till their return. But this is client techniques, mere story. The religious realization knows better, and though the gods are in Ethiopia, Athene comes down from Olympus to stop the and juliet rage of Achilles from ending in centered murder. Homer, however, is not quite fulfilled with this solution. Like Aeschylus, he seems to have been puzzled why men did evil at all, and his complexity has been shared by most thinkers on religious conviction and morals. Was Abigail. It was well for Agamemnon to be punished–he had done wrong. But why did he do wrong? Homer has his solution; Agamemnon is the therapy victim of ἄτη. Zeus has robbed him of his wits, and later he comprehends it and is ready to oedipal crisis make amends. ἄτη is the egotistical infatuation which made him take Briseis from Achilles, but Agamemnon is sure that it comes from techniques, Zeus. while he sends his embassy to Achilles with offers of amends he says that he is not to blame, for Zeus has deprived him of his wits, and when the real reconciliation comes, Achilles accepts the excuse that Agamemnon is the victim of and has been distressing from ἄτη. But farther than this Homer does not go. He leaves the oedipal crisis trouble, as others have left it, unsolved. Homer then, while accommodating the stories and forms of traditional religion, both deepens its religious significance and widens its ethical basis. Such a progression is the work of client therapy techniques, rationalism in the best sense, which agrees to religious experience and tries to found it on a more unyielding base than superstition. But having made these findings he was faced with certain difficulties. Wuthering Heights Notes. A combined morality demands a unified and single pantheon. Morality has turned numerous religions from polytheism into monotheism simply as monotheism eliminates the centered therapy techniques conflicting claims of diverse deities. Homer never comes near to the formation of a single god, and certainly his traditional material made such a view unattainable. But in several ways he co-ordinates his gods into a single system. Of greatest significance is the part played by Zeus in it. On Olympus he is only a legitimate monarch. His power is restricted by the other gods, and nursing for dka, though in the last resort he can intimidate and control them, he has to put up with disputes and although disobedience. In all this his position does not be different much from that of Agamemnon on earth. But for men his position is different. He is preeminently the god who is in command of their lives. The others are mentioned honoris causa with him, but he is the chief controller of client centered therapy techniques, their fortunes. Baring Banks. Diomedes knows that it was Zeus καὶ θεοὶ ἄλλοι who sent Tydeus wandering: Achilles knows that incarcerated Troy lies with Zeus: Aeneas knows that it is Zeus who gives men strength and lessens it as he wills. Techniques. It is Zeus who lays heavy sorrow on men at their birth and has given the when was abigail burden of Paris to Troy. For men at least there is one god who overshadows the rest. The others take their part in the battle and have their own favorites, but on the whole it is Zeus who directs mortal associations and decides what is to take place. The Homeric religion is then a blend of diverse ideas; or rather it is a religion struggling out of conventional forms into a rationalized system. The customary forms are themselves of a quite classy nature, but the poet uses them for poetry, and reserves his rationalization to get away from them to an even more simplified understanding. Therapy Techniques. To the religious realization his results are not perhaps always successful, and for only aesthetic appreciation perhaps he is best while he keeps to simple material and permits his fancy to play with it. The nod of heights notes, Zeus which shakes Olympus is client centered techniques, better poetry than the embodied terrors of his battle-fields. These new formation seem to have appealed more to his head than to his heart. His imagination never actually got loose on them, and they remain generalizations. But once he made poetry out of wuthering cliff notes, his doubts, and the outcome is therapy, deeply moving. Before his cremation the ghost of Patroclus appears to baring banks Achilles in a dream. Centered Therapy Techniques. Achilles tries to clutch him, but the ghost evades him and nursing for dka, goes away. Such a scene would anyhow be wretched and terrible. For the last time Achilles sees his friend, and he cannot embrace him. But Homer makes it the more moving by leaving in doubt whether it is a real ghost or only a dream. Austin, Norman. Archery at the Dark of the Moon: Poetic Problems in Homer’s “Odyssey.” Berkeley: University of California Press, 1975. Aycock, W. M., and T. M. Klein, eds. Classical Mythology in Twentieth-Century Thought. Proceedings of the Comparative Literature Symposium 11. Lubbock: Texas Tech Press, 1980. Bassett, S. E. “The Proems of the Iliad and the Odyssey.” American Journal of Philology 44 ( 1923): 339-48. Crotty, Kevin. Song and Action: The Victory Odes of Pindar. Baltimore: Johns Hopkins University Press, 1982. D’Arms, Edward F., and Karl K. Hulley. “The Oresteia Story in the Odyssey.” Transactions of the client centered techniques American Philological Association 76 ( 1946): 207-13. Kenneth John Atchity, Homer’s Iliad: The Shield of Memory; Southern Illinois University Press, 1978. University/College: University of Chicago. Type of paper: Thesis/Dissertation Chapter. Date: 23 March 2017. Let us write you a custom essay sample on The role of Gods, Men and Women in Homer’s Iliad. for only $16.38 $13.9/page. Haven't found the Essay You Want? Get your custom essay sample. For Only $13.90/page. 3422 Old Capitol Trail, Suite 267, Wilminton, DE 19808, USA.